“…things have changed and it might be very beneficial for you to look at the options that are available now. You really can create a pro level recording at home on your computer…”
– Stewart Meredith, Engineer/Session Musician
Welcome to the Fifth installment of the Virtual Studio! In this issue we're going to walk through the process of tracking a song with attention to the various options available in the digital audio and MIDI environment. In the old days of tape the first consideration was usually how many … Read More
Signal Effects: The main signal processing used in headset mixes is EQ, compression, reverb and possibly digital delay. These effects should not be recorded onto tape but can be added during the mix. If used properly per your needs and taste, adding at least a bit of reverb and correct EQing of your … Read More
I'm always amazed by how many people working in home studios think you need a $750,000 console, a 48-track digital machine, an arsenal of $2,000 microphones, and tons of outboard gear to make your tapes sound "professional." It's just not true. What you need is some basic knowledge about the … Read More
I spent more time in the early part of my engineering career trying to get a great bass sound than anything else. I tried going through a direct box. I tried miking the amp. I tried different amps. I tried different mics. I tried everything! No matter how hard I tried, I always fell short of the … Read More
I usually wait until the deadline draws near before I write this column. But, I just flipped the page on my daily desk calendar and was inspired to write it now by what I saw: "Keep your mind focused on what you want and act accordingly. You will achieve success." Words to live by. As a matter of … Read More
While the acoustic guitar remains one of the most simple instruments by design, it also remains one of the hardest to get a great sound on in the studio. It's really not brain surgery, but knowing some of the basic laws of physics doesn't hurt. Unfortunately, I skipped school that day and didn't … Read More
Welcome once again to the Virtual Studio. This is the fourth instalment in the series and I'm going to back up just a bit to cover a few items in more detail. We discussed soundcards previously and based on some of the email I've received there are a couple points I would like to make as well as … Read More
This is the Sixth instalment of the Virtual Studio and as I mentioned last time I'm going to go into detail about a couple aspects that are specific to digital recording. How the digital domain changes our use of EQ and compression. This is something I have heard very little discussion about and … Read More
"Good" is a subjective term. It can mean a couple of things when used in the context of making demo tapes. "Good" can mean the song (with a slant toward "hit" potential), or it can mean the engineering or production values on the tape. If the ultimate use of your demo is to land a record deal, … Read More
Nothing makes a home recording, any recording for that matter, sound better than great drum sounds. Pro engineers spend more time getting their drum sounds than any other instrument on their recordings and it shows. I've personally seen situations where engineers have spent days, several days in … Read More