“…things have changed and it might be very beneficial for you to look at the options that are available now. You really can create a pro level recording at home on your computer…”
– Stewart Meredith, Engineer/Session Musician
Lengthy headline for a simple concept. The concept: Recognize opportunity. Seize opportunity. Be persistent as hell and you'll get what you want. This is a true story. I saw the Beatles on the Ed Sullivan show when I was about nine or ten years old. I knew at that moment that I wanted to make … Read More
Welcome to the Fifth installment of the Virtual Studio! In this issue we're going to walk through the process of tracking a song with attention to the various options available in the digital audio and MIDI environment. In the old days of tape the first consideration was usually how many … Read More
Welcome to the first installment of my column on setting up and getting the most out of a home recording studio. We've left the world of tape machines and mixing consoles behind and put the entire studio inside an ordinary computer. My goal for this little slice of cyberspace is to provide, on … Read More
In one of my recent columns I wrote about recognizing opportunity and then seizing it. This month, I'm going to make it even easier for you. I'm going to show you the fastest, cheapest, and easiest way to make money with your music. I'm surprised you haven't figured it out for yourself yet. You … Read More
Getting a record deal gets harder every year. The days of record impresarios like Phil Spector discovering a group, taking them into the studio and making them famous overnight are long gone. These days, the music business is sometimes more about the business than it is about the music. … Read More
Signal Effects: The main signal processing used in headset mixes is EQ, compression, reverb and possibly digital delay. These effects should not be recorded onto tape but can be added during the mix. If used properly per your needs and taste, adding at least a bit of reverb and correct EQing of your … Read More
I spent more time in the early part of my engineering career trying to get a great bass sound than anything else. I tried going through a direct box. I tried miking the amp. I tried different amps. I tried different mics. I tried everything! No matter how hard I tried, I always fell short of the … Read More
This is the Sixth instalment of the Virtual Studio and as I mentioned last time I'm going to go into detail about a couple aspects that are specific to digital recording. How the digital domain changes our use of EQ and compression. This is something I have heard very little discussion about and … Read More
"Good" is a subjective term. It can mean a couple of things when used in the context of making demo tapes. "Good" can mean the song (with a slant toward "hit" potential), or it can mean the engineering or production values on the tape. If the ultimate use of your demo is to land a record deal, … Read More
Most people think mixing is complicated. It's really not. Most pros (myself included) like the fact that there's an air of mystery surrounding what we do. It makes us look smarter. It also allows us to charge more money. But, let's face it. It's not rocket science. It's really just the … Read More