“…things have changed and it might be very beneficial for you to look at the options that are available now. You really can create a pro level recording at home on your computer…”
– Stewart Meredith, Engineer/Session Musician
I'm always amazed by how many people working in home studios think you need a $750,000 console, a 48-track digital machine, an arsenal of $2,000 microphones, and tons of outboard gear to make your tapes sound "professional." It's just not true. What you need is some basic knowledge about the … Read More
This is the Sixth instalment of the Virtual Studio and as I mentioned last time I'm going to go into detail about a couple aspects that are specific to digital recording. How the digital domain changes our use of EQ and compression. This is something I have heard very little discussion about and … Read More
Welcome to the Fifth installment of the Virtual Studio! In this issue we're going to walk through the process of tracking a song with attention to the various options available in the digital audio and MIDI environment. In the old days of tape the first consideration was usually how many … Read More
Most people think mixing is complicated. It's really not. Most pros (myself included) like the fact that there's an air of mystery surrounding what we do. It makes us look smarter. It also allows us to charge more money. But, let's face it. It's not rocket science. It's really just the … Read More
"Good" is a subjective term. It can mean a couple of things when used in the context of making demo tapes. "Good" can mean the song (with a slant toward "hit" potential), or it can mean the engineering or production values on the tape. If the ultimate use of your demo is to land a record deal, … Read More
Getting a record deal gets harder every year. The days of record impresarios like Phil Spector discovering a group, taking them into the studio and making them famous overnight are long gone. These days, the music business is sometimes more about the business than it is about the music. … Read More
Welcome to the first installment of my column on setting up and getting the most out of a home recording studio. We've left the world of tape machines and mixing consoles behind and put the entire studio inside an ordinary computer. My goal for this little slice of cyberspace is to provide, on … Read More
Nothing makes a home recording, any recording for that matter, sound better than great drum sounds. Pro engineers spend more time getting their drum sounds than any other instrument on their recordings and it shows. I've personally seen situations where engineers have spent days, several days in … Read More
I usually wait until the deadline draws near before I write this column. But, I just flipped the page on my daily desk calendar and was inspired to write it now by what I saw: "Keep your mind focused on what you want and act accordingly. You will achieve success." Words to live by. As a matter of … Read More
Welcome once again to the Virtual Studio. This is the fourth instalment in the series and I'm going to back up just a bit to cover a few items in more detail. We discussed soundcards previously and based on some of the email I've received there are a couple points I would like to make as well as … Read More